Choreographer
Choreographer
Founding artistic director and resident choreographer of Complexions Contemporary Ballet, Dwight Rhoden performed with Dayton Contemporary Dance Company, Les Ballets Jazz de Montréal and as a principal dancer with Alvin Ailey American Dance Theater. He has choreographed for New York City Ballet, Aspen Santa Fe Ballet, BalletMet, Colorado Ballet, Dance Theatre of Harlem, The Joffrey Ballet, Miami City Ballet, Pennsylvania Ballet, Philadanco, The Washington Ballet, Ballet Nice Mediterranean, and Rome Opera Ballet, among others. Rhoden has directed and choreographed for television, film, and theater, including So You Think You Can Dance, Cirque du Soleil, world tours for Prince and Lenny Kravitz, and the film One Last Dance. Honors include a New York Foundation for the Arts award, a Benois de la Danse Award nomination for The Great Gatsby (the Mariinsky Ballet), induction into the NYFA Hall of Fame, the Choo-San Goh Award for Choreography, and an Honorary Doctorate from Boston Conservatory.
Learn More about Jazz Icons
Choreographer
Jessica Lang is an American director and choreographer based in New York City. Since 1999, Lang has created more than 100 original works for companies worldwide including the American Ballet Theatre, Alvin Ailey American Dance Theater, Pacific Northwest Ballet, Birmingham Royal Ballet, the National Ballet of Japan, The Joffrey Ballet, and her eponymous company Jessica Lang Dance, among many others.
For her Jazz Icons: A Fine Romance premiere, Jessica Lang infuses her choreography with improvisation and a deep appreciation for jazz’s legacy. She draws inspiration not only from the music itself but also from the art of Henri Matisse, whose cutouts and jazz series were influenced by the same spirit of improvisation and experimentation. Lang’s work emphasizes freedom, trust, communication, and individual expression, much like the jazz musicians she honors in her piece. By exploring movement and playing with dance, she creates a vibrant and ever-evolving physicality that mirrors the spontaneity of jazz itself.
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As TWB’s Valentine to DC, witness a spellbinding blend of ballet and jazz music featuring two highly anticipated world premieres by renowned choreographers Jessica Lang and Dwight Rhoden. The evening will be accompanied by The Smithsonian Jazz Masterworks Orchestra with the New York Voices, the Craig Davis Trio, and Music Direction/Conducting by Marty Ashby.
Join us for a tribute to pioneering women in jazz & works inspired by groundbreaking composers. This unique journey through jazz history promises an unforgettable celebration of music and dance.
“It’s ballet. It’s jazz. But it’s really another dimension. A playful, romantic program from the Washington Ballet occasionally transports to a new realm”
– The Washington Post
Jessica Lang infuses her choreography with improvisation and a deep appreciation for jazz’s legacy. She draws inspiration not only from the music itself but also from the art of Henri Matisse, whose cutouts and jazz series were influenced by the same spirit of improvisation and experimentation. Lang’s work emphasizes freedom, trust, communication, and individual expression, much like the jazz musicians she honors in her piece. By exploring movement and playing with dance, she creates a vibrant and ever-evolving physicality that mirrors the spontaneity of jazz itself.
Dwight Rhoden’s choreography will be a bold celebration of the courage, strength, and pioneering spirit of these remarkable women. The ballet will pay homage to the unique and singular style of each artist, reflecting their vibrancy, character, and musicality through movement. As Rhoden artfully interprets the notes, rhythms, and emotional depth of jazz music, he disrupts the typical structure of classic ballet, pushing the boundaries of storytelling and innovation. The result will be a visually stunning and immersive experience, where the energy and spirit of both the dancers and musicians transport the audience to a place where the music and dance become one.
This evening’s program will showcase the artistry of jazz legends like Bill Evans, Dodo Marmarosa, Chick Corea, Chet Baker, Thelonious Monk, Ella Fitzgerald, Nancy Wilson, Lena Horne, Sarah Vaughan, Billie Holiday, and Mary Lou Williams. Our archivist is sourcing images of these iconic figures to visually complement the performances. We invite you to join us on Valentine’s Day at The Kennedy Center for a night of lively, joyous, and profoundly moving tributes to the jazz era. “Jazz Icons: A Fine Romance” promises to be a beautiful celebration of jazz’s rich history and its enduring influence on dance and art.
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Jazz Icons Group Sales Request
Let The Washington Ballet transform your group experience with one of our world-class performances. The Washington Ballet has been celebrated for its artistic excellence for 40 years. With a minimum of 10 people, and ticket prices as low as $40,save between 15-25% plus $0 fees (based on size of group & seat availability). Our Group Ticket Discounts can be tailored to fit any budget. Please complete form below to contact TWB Patron Services team.
Jazz Icons Group Sales Request
Let The Washington Ballet transform your group experience with one of our world-class performances. The Washington Ballet has been celebrated for its artistic excellence for 40 years. With a minimum of 10 people, and ticket prices as low as $40,save between 15-25% plus $0 fees (based on size of group & seat availability). Our Group Ticket Discounts can be tailored to fit any budget. Please complete form below to contact TWB Patron Services team.
COLORING SILENT SPACE
CHOREOGRAPHER
Jessica Lang
COSTUME DESIGNER
Jillian Lewis
LIGHTING DESIGNER
Brandon Stirling Baker
SCENIC DESIGNER
Jessica Lang
STAGE MANAGER
Rachel Scherer
MUSIC PERFORMED BY
The Craig Davis Trio
Craig Davis, Piano
Ian Ashby, Bass, Vocals
Christopher Latona, Drums
MUSIC
Battle of the Balcony Jive
Bliss
Samba Yantra
My Funny Valentine
I’m Confessin’ That I Love You
Drum Solo
Introduction by Chick Corea
Piano Sonata No. 12 in F Major
Someone To Watch Over Me
Escape
Peace Piece
MIDNIGHT RIFF
CHOREOGRAPHER
Dwight Rhoden
CHOREOGRAPHER’S ASSISTANTS
Larissa Gerszke
Clifford Williams
COSTUME DESIGNER
Christine Darch
COSTUME DESIGN ASSISTANT
Stephen Smith
LIGHTING DESIGNER
Brandon Stirling Baker
STAGE MANAGER
Suzi Kilbourne
MUSIC PERFORMED BY
The Smithsonian Jazz Masterworks Orchestra featuring the New York Voices
MUSIC
Overture
Day In Day Out
Lonely Moments
Cotton Tail
On A Clear Day
Shafi
Save Your Love For Me
I’ll Be Seeing You
Oh, Lady Be Good
Choreographer
Choreographer
Founding artistic director and resident choreographer of Complexions Contemporary Ballet, Dwight Rhoden performed with Dayton Contemporary Dance Company, Les Ballets Jazz de Montréal and as a principal dancer with Alvin Ailey American Dance Theater. He has choreographed for New York City Ballet, Aspen Santa Fe Ballet, BalletMet, Colorado Ballet, Dance Theatre of Harlem, The Joffrey Ballet, Miami City Ballet, Pennsylvania Ballet, Philadanco, The Washington Ballet, Ballet Nice Mediterranean, and Rome Opera Ballet, among others. Rhoden has directed and choreographed for television, film, and theater, including So You Think You Can Dance, Cirque du Soleil, world tours for Prince and Lenny Kravitz, and the film One Last Dance. Honors include a New York Foundation for the Arts award, a Benois de la Danse Award nomination for The Great Gatsby (the Mariinsky Ballet), induction into the NYFA Hall of Fame, the Choo-San Goh Award for Choreography, and an Honorary Doctorate from Boston Conservatory.
Learn More about Jazz Icons
Choreographer
Jessica Lang is an American director and choreographer based in New York City. Since 1999, Lang has created more than 100 original works for companies worldwide including the American Ballet Theatre, Alvin Ailey American Dance Theater, Pacific Northwest Ballet, Birmingham Royal Ballet, the National Ballet of Japan, The Joffrey Ballet, and her eponymous company Jessica Lang Dance, among many others.
For her Jazz Icons: A Fine Romance premiere, Jessica Lang infuses her choreography with improvisation and a deep appreciation for jazz’s legacy. She draws inspiration not only from the music itself but also from the art of Henri Matisse, whose cutouts and jazz series were influenced by the same spirit of improvisation and experimentation. Lang’s work emphasizes freedom, trust, communication, and individual expression, much like the jazz musicians she honors in her piece. By exploring movement and playing with dance, she creates a vibrant and ever-evolving physicality that mirrors the spontaneity of jazz itself.